![]() What starts as kitchen drama takes on blood and angst and even choral effects (Lorca’s poetry set to truly lovely music by Joellen Sweeney) and ends up in the heights of Greek tragedy. Here, she sketches a sense of Spanish village life with a few spare but evocative home settings in Act I, then transports us to another plane for the brief Act II, a forest that shimmers in silver-blue dusk as the dialogue grows more lyrical, the narrative more elliptical, the resolutions more grim. But her knack for creating rich theatrical settings pays dividends in scripted classics, too. Van Der Merwe has developed a loyal following in Portland as a design-minded director with a particular talent for conceptual devised productions. ![]() And the presentation here, as directed by Samantha Van Der Merwe, is inventive and gripping, feeling by turns folkloric and fantastical. Lorca’s passionate poetry – full of imagery of flowers, blood, seeds – rises to meet the emotional pitch of the yearning, jealousy, betrayal and vengeance that course through the story. The name she hears makes her feel “as if my mouth is filling up with my husband’s ashes and I have to keep spitting.”Īs a tale of conflicted love, of enmity between houses, of familial bonds and cultural rites, the 1932 Blood Wedding is nothing unusual. But his ever-cautious mother wants to know who was this other suitor. ![]() It doesn’t concern him that she was once engaged to marry someone else. The Groom, however, has finer things on his mind, such as the beautiful woman he’s set to marry. For the Mother, something as simple as her son, the Groom, asking her to hand him a knife to make cuttings in the vineyard, calls forth memories of her beloved husband, who had “a mouth like a flower” but who was cut down by “that family of murderers.” Here, “Felix” means grief, resentment and a deep well of anger ready to surge to the surface. In the Jo Clifford translation, which opens this weekend at Shaking the Tree, we hear the name and the bitterness it brings from the very first scene. When the name Felix is spoken, all felicity flees. But here the very sound of it is something awful – an open wound, a cutting blade, a flame to set the scene alight with pain. That family name is a lovely one, from the Latin for happiness. The only character whose name we hear is a young man called Leonardo, whose family name is Felix. It is a play about a wedding, though a terribly ill-fated one, and that fact frames the identities of most of the characters here – Bridegroom, Bride, Mother, Mother-in-law, and so on. Here are the best wedding slideshow songs.Olivia Mathews as the Bride in “Blood Wedding.” Photo: Gary NormanĪ bitter irony moves about openly in Federico Garcia Lorca’s Blood Wedding. We’ve selected a few of our favourites from the most popular genres to help get you started. This track will accompany all those adorable photos and videos of you and your partner, so you want it to be just as romantic as what’s being shown on-screen. One you definitely don’t want to forget about? Your wedding slideshow song. From your first dance song to your grand finale track, you’ve got a lot of important tunes to choose for your wedding.
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